Week Five – The Photo Essay – Photojournalism
As with some of his other movies, Kubrick ends with a powerful visual puzzle that forces the audience to leave the theater asking, "What was that all about?" ends with an extremely long camera shot moving down a hallway in the Overlook, reaching eventually the central photo among 21 photos on the wall.
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Many aspects of the Mardi Gras celebration in L'Anse Maigre, a community north of Eunice are typical of other communities. Cultural Catholicism still binds the community together, and collecting ingredients for a communal gumbo remains central to their run. They work hard all year, but they also celebrate life abundantly because their faith teaches them that life has been redeemed and Mardi Gras day provides the opportunity to embrace the totality of human life. Led by a flag-bearing capitaine, this colorful and noisy procession of masked and costumed men on horses and wagons go from house to house in the countryside asking for charity in return for a performance of dancing and buffoonery. The participants are earnestly employed chasing chickens, the most valued offering, and they pride themselves on their ability to collect enough "live chickens" to feed the entire community "free of charge."
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The novel Invisible Man, by Ralph Ellison, addresses the issue of identity formation by following the efforts of an invisible man in search of his identity.
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The caption reads: "Overlook Hotel-July 4th Ball-1921." The answer to this puzzle, which is a master key to unlocking the whole movie, is that most Americans overlook the fact that July Fourth was no ball, nor any kind of Independence day, for native Americans; that the weak American villain of the film is the re-embodiment of the American men who massacred the Indians in earlier years; that Kubrick is examining and reflecting on a problem that cuts through the decades and centuries.
And in a final stroke of brilliance, Kubrick physically melds the movie audience leaving his film with the ghostly revelers in the photograph.
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The Tee Mamou group has maintained aspects of a very old begging tradition and uses a gesture of pointing to the open palm, which centuries ago may have distinguished carnival beggars in Western Europe from another group of beggars known as the "bashful poor." Recent discovery and observation of the Hathaway Mardi Gras reveals similar and possibly older traditions. They have what they refer to as "our beggars" who wield rolled burlap whips leading the procession with the capitaine. The whipping traditions have been preserved along isolated pockets of the Cajun prairie's cultural edge west of Highway 13. Whipping has its origins in the pre-Christian festival of the Lupercalia or the wolf festival which was thought to promote fertility. Hathaway's ritual beggars are blackfaced and are the first to approach a house where they dismount from their horses and confront the homeowners on their knees with their hats in their hands and genuinely petition resident members for charity. This appears to be a vestige of the poor man's carnival of the Middle Ages and may even have roots in the most widely celebrated festival of the Roman Calendar, the Saturnalia, where people masqueraded and blackened their faces.
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In the play "Man For All Season", Thomas More, does not only life for his personal life, but also the life oh his time period that makes him a strong person who faces many issues by being pressured his family and friend, by not sa...