The Art of Possibility by Rosamund Stone Zander and Benjamin
COMICMARKET is now held in Tokyo Harbor at the Tokyo International Trade Center also known as Tokyo Big Sight. The center houses six enormous halls, 80,000 square meters of space devoted to the exhibition and sale of comic books (dojinshi) created by amateurs. During the comic market's three days, 35,000 groups, consisting of perhaps as many as 100,000 young creators of dojinshi manga, sell their magazines to approximately 420,000 otaku (fans). (The term dojinshi was originally applied to manga-like fanzines, the hobby magazines and comic books produced by amateurs. means folks who share the same taste and means magazine. The term dojinshi has come to refer to both a club or circle of high school or college students who create their own comic books, and to the comic books themselves. The term otaku which is applied to the purchasers of dojinshi and manga implies a passionate or even fanatic desire to collect artifacts and information related to manga, anime, video games, and, of course, dojinshi.) COMICMARKET and the 2,000 or so other dojinshi comic markets held in Japan each year are, we think, the most easily identified phenomena in a vast visual subculture created mostly by teenagers and young adults mainly for themselves. How did the phenomenon begin?
Philip lopate ed. the art of the personal essay
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Her writing has been anthologized in The Rumpus Women, Vol. 1 and her radio work has been featured on 99% Invisible. She has received residency fellowships from the Ucross Foundation, the Virginia Center for the Creative Arts, the Albee Foundation, as well as numerous college grants. She is at work on a collection of essays—personal, reported, and lyric—themed to the idea of “lost colonies.”
Albrecht Dürer: Art, Life, and Times
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What made art valuable—then and now (article) | Khan Academy
Long live the versatility of essay! Of all the genres, essays might be the most expansive. They let you tell stories. They explore ideas. They encourage you to reject easy conclusions, instead granting you the freedom to revel in questions and curiosities. It is a form that allows you as a writer to look with wide open eyes at the world and ask what it is you see there and what it might mean.
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This class will focus on common approaches to the personal essay, from memoir essay to lyric and, in doing so, highlight common subjects of popular interest, from the environment to art. We won’t shy away from the hard stuff, either, but will take time to discuss questions about fact v. fiction, the risks of writing about family, the imperfection of memory, and more. With weekly lectures and examples, recommended readings, and suggested creative exercises you will learn how to take the stuff of your own life and transform it into prose that elevates the personal to the universal.
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Nell Boeschenstein has an MFA in creative nonfiction writing from Columbia University and a BA in English from Dartmouth College. She currently teaches essay, memoir, feature writing, and criticism at Sweet Briar College where she also serves as the Interim Director of the Creative Writing Program.