comparing poems essay Powerwind Energy

Poems for college essays : Essay over respect

"Gray himself quotes here in illustration:

''Ch'i veggio nel pensier, dolce mio fuoco,
Fredda una lingua, e due begli occhi chiusi
Rimaner dopo noi pien di faville.''
Petrarch, Son. CLXIX. CLI.
He had already, I believe, made the translation of this sonnet, which is preserved among his Latin poems; perhaps even the turn which he has given to it in the lines
''Nos duo cumque erimus parvus uterque cinis,''
and
''Ardebitque urna multa favilla mea,''
may have set him on embodying in this place of the Elegy the passage quoted. Petrarch's words serve Gray's purpose best if severed from their context. In this sonnet the poet plays with the image of flame. He is burning; all believe this, save her whom alone he wishes to believe it; his ardour, of which she makes no account, and the glory he has given her in his rhyme, may yet inflame a thousand others:
''For in my thought I see, - sweet fire of mine!---
A tongue though chilled, and two fair eyes, though sealed,
Fraught with immortal sparks, survive us still.''
Mitford quotes Chaucer, Cant. Tales, Reeve's prologue (3880):
''Yet in our ashen cold is fire yreken.''
But the Reeve is speaking of the passions of youth surviving in old age."

24/01/2018 · Anne Bradstreet: Poems study guide contains a biography of Anne Bradstreet, literature essays, quiz questions, major themes, characters, and …

Famous Poets and Poems - Read and Enjoy Poetry

"And here may be the best place to note after Dr Phelps that the 'whole atmosphere of Collins's Ode is similar to that of the Elegy. Cf. especially stanza 10,

''And hamlets brown, and dim-discovered spires,
And hears their simple bell, and marks o'er all
Thy dewy fingers draw
The gradual dusky veil.'' '
Dr Phelps notes also that Joseph Warton's verses contain some of Gray's pictures, and something of the same train of thought: e.g.:
''Hail, meek-eyed maiden, clad in sober grey,
Whose soft approach the weary woodman loves,
As homeward bent to kiss his prattling babes
Jocund he whistles through the twilight groves.''
add:
''Now every Passion sleeps; desponding Love,
And pining Envy, ever-restless Pride;
A holy calm creeps o'er my peaceful soul,
Anger and mad Ambition's storms subside.''
The latter stanza might well be the form in embryo of the four rejected stanzas quoted infra, n. on . Dr Phelps remarks that ''the scenery as well as the meditations of the Elegy were by no means original: they simply established more firmly literary fashions which were already becoming familiar.''
And certainly if the opening stanzas of the Elegy as we now have them were written as early as 1742, their composition was in no way affected by the poems of Warton and Collins; the same must be said even if the 'autumnal verses' of the letter of Sept. 11, 1746, were the Elegy. The spirit of gentle melancholy was in the air; and in 1746 and 1747 found in three young poets, Collins, Joseph Warton and Thomas Warton, that voice to the world at large which is found again in Gray in 1750. For in 1747 Thomas Warton published anonymously these lines, which he had written in his 17th year (1745):
''Beneath yon ruin'd abbey's moss-grown pile
Oft let me sit, at twilight hour of eve
Where thro' some western window the pale moon
Pours her long-levell'd rule of streaming light;
While sullen sacred silence reigns around,
Save the lone screech-owl's note, who builds his bow'r
Amid the mould'ring caverns dark and damp,
Or the calm breeze, that rustles in the leaves
Of flaunting ivy, that with mantle green
Invests some wasted tow'r:
''
where resemblance to the Elegy is closest of all.
Between these three poets communication of ideas was probable; but at this date even Thomas Warton, with whom he afterwards corresponded, was an absolute stranger to Gray. And Gray is so far from feeling that in any of these there were 'kindred spirits' who might 'enquire his fate' that he writes, Dec. 27, 1746:
'Have you seen the Works of two young Authors, a Mr Warton and a Mr Collins, both Writers of Odes? it is odd enough, but each is the half of a considerable Man, and one the counterpart of the other. The first has but little invention, very poetical choice of Expression, and a good Ear, the second a fine fancy, model'd upon the Antique, a bad Ear, great variety of Words, and Images with no choice at all. They both deserve to last some Years, but will not.'
So little are men conscious of that 'stream of tendency' on which they themselves are borne."

Essays on poems

"Gray probably took this expression from ''Paradise Lost,'' iii. 88, the only place in Milton's poems where ''precincts'' occurs: - ''Not far off Heaven, in the precincts of light.''"

Three Parts:Quoting from Poems in an Essay Citing Poems in an Essay Citing Poems in a Works Cited Community Q&A Navigating the …


The top resource for World World 2 information on the Internet

", Selected Poems of Gray and Collins (1967) p. 44, cites Swift's Thoughts on Various Subjects (Works (1735) vol i): 'There is in most people a reluctance and unwillingness to be forgotten. We observe even among the vulgar, how fond they are to have an inscription over their grave. It requires but little philosophy to discover and observe that there is no intrinsic value in all this; however, if it be founded in our nature, as an incitement to virtue, it ought not to be ridiculed.'"

Find Poems & Poets : Poetry Out Loud

", Selected Poems of Gray and Collins (1967) p. 44, cites Swift's Thoughts on Various Subjects (Works (1735) vol i): 'There is in most people a reluctance and unwillingness to be forgotten. We observe even among the vulgar, how fond they are to have an inscription over their grave. It requires but little philosophy to discover and observe that there is no intrinsic value in all this; however, if it be founded in our nature, as an incitement to virtue, it ought not to be ridiculed.'"

Edgar Allan Poe Society of Baltimore - Works - Poems

", Selected Poems of Gray and Collins (1967) p. 44, cites Swift's Thoughts on Various Subjects (Works (1735) vol i): 'There is in most people a reluctance and unwillingness to be forgotten. We observe even among the vulgar, how fond they are to have an inscription over their grave. It requires but little philosophy to discover and observe that there is no intrinsic value in all this; however, if it be founded in our nature, as an incitement to virtue, it ought not to be ridiculed.'"