Darphne Merkin wrote in in 2005 at the time of Sandra Dee’s death:
I’m not a native speaker. Sorry for all my mindlessness and mistakes and thank you for having kept this page. This is great feedback and makes so much sense. Best wishes for each and every one of you and your families in what I assume to be a very challenging stage of recovery.
Rizzo’s pretty great at choosing metaphors…
Rose, I am not sure what you mean by the NEC area of Florida. Can you give me a town or nearby city to orient me? I can see what I can do to help you find someone.
The score of is remarkable in its craft and authenticity, even referencing actual songs of the period. Many of the actual period songs that influenced the score were not chart toppers, because the kids didn’t always listen to the most popular music; they were more musically and culturally adventurous than that. They listened to songs you could only hear late night on Alan Freed’s radio show, "race songs," songs, songs that scared adults.
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Poor even rhymes (unnoticed) with and ... The bridge is loaded with long and long sounds, in an ABCABC rhyme scheme, with a close interior rhyme at the end, in and :
pies yo tengo alas Enchanted Fairytale Dreams on We Heart
Please see our video for "" comprised of Super 8 footage Antony shot upon his arrival in New York City as a teenager in the early 1990's. Edited by David Boatman.
Uranium mining ban a must for .
Antony is collaborating with performance artist Marina Abramovic and director Robert Wilson on a play about Marina's art and life called "The Life and Death of Marina Abramovic". For more infomation please see site.
Arthur Symons, a contemporary literary critic, remarks:
Antony and have teamed up on reworking the title track "Returnal" from OPN's latest album. The 7" version is out August 31st thru . You can hear Antony's version .
Conn classrooms include our 750-acre Arboretum.
Have a first listen to Antony and the Johnsons newest release "Swanlights" one week before it's released on along with a slide show of personal shots from Antony's daily life in a feature called "".
The complete list of performances:
Here again, some usually unnoticed treasure, in the powerful alliteration of, as each successive line climbs musically higher and higher to the climax.
Lord Alfred Douglas wrote, shortly after reading the play:
And again, we can see Jacobs and Casey’s lyric writing craft here, as they effortlessly spin out multiple internal rhymes without ever disrupting a line or thought: