The Sound of Waves Essay Questions | GradeSaver
Everything changed when Taylor Swift came sniffing around. By the time she’d conceptualized the ’80s revisionist theme of 1989, there was already a working retro-themed pop apparatus in place spawning real hits. (The synth-pop grooves of Kiss-era Carly Rae Jepsen tunes and the tropical vibes and Miami Vice iconography of Drake and OVO Sound signees Majid Jordan’s look less delightfully left-field than quietly prescient in this context.) Swift applied her champion ear for melody and the machine-shop precision of her producers Max Martin and Shellback (with a little help from Fun. alum Jack Antonoff) and came out with gargantuan smashes in and archetypal exercises in pop’s new maximalism, thanks to a winning fusion of ’80s Top 40 instrumentation and the blissed-out wall of sound cribbed from the dance-pop upstarts from overseas.
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Viewed within the framework of present day social constructionist theory or simply post- theory, the current essay Close but not Deep: Literary Ethics and the Descriptive Turn show how both Critical Hermeneutics and Descriptive Sociology disavow Traditional Humanist categories....