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f the core elements of life, sensation, and emotion are so widely distributed as to encompass a huge swath of the animal kingdom, what the moral difference between a species with higher capabilities and one without? In his thoughtful 1985 essay “,” the philosopher of biology Hans Jonas takes up three activities attributed solely to humans and explores their deeper implications. As it happens, given what we know today, elephants arguably meet all three tests. Jonas’s standard is worth revisiting in this light — not to diminish its significance for , but to consider what it means for the one other animal, at least, that might share it.

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One particular story highlights many of them, recounted in by Jeffrey Goldberg. The bare facts are these: in 1994, the dedicated conservationists Mark and Delia Owens hosted a film crew from ABC to document their anti-poaching efforts in Zambia. In 1996, the show aired, preceded by a warning of violence “which might be upsetting to viewers.” The warning was referring to a scene that showed a suspected (but unarmed) poacher being shot to death on camera. Under threat of legal action, the couple left the country immediately and have never been back.

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hile elephants’ exhibition value has brought serious harm to them through the centuries, worse than that is the appeal of an elephant worth more dead than alive. Avocational safari hunters such as Teddy Roosevelt and his friend Henry Fairfield Osborn, major figures in the early conservation movement, loved the elephant in all its wildness and compiled a great deal of information on its behavior and . The very awe of its magnificence and power was what made the elephant such desirable game. The hunter, in tracking and conquering his prey, seeks in some way to seize for himself that glorious force of life the animal displays. The catch is that, as soon as you have shot the animal, that force of life is gone — the instant it is at your touch it has already eluded you, belonging to no one anymore. Famous photographs of Roosevelt towering athwart felled giants exude an eerie combination of tremendous manly pride (generally, the sex that brings life into the world seems content with that primal connection to it, and is less interested in taking it back out) and utter negation; the deanimated lump no longer conveys anything but the material presence of piercing loss. Or, as Poole says of the poached corpses that she finds: “There is something so grand about the life of an elephant, its great size, strength, and age, that in death its loss is equally monumental. To have taken so many years and eaten so many trees, to have become so big; to have roamed the earth as King of Beasts and then to have collapsed in a piece of rotting flesh is tragic and so seemingly wasteful of life.”

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Conservation of private and public forestland is of critical importance to NACD. Modern challenges - including invasive species, pests, and disease - have taken their toll on our forests; but we're here to help change that.

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It is worth noting that making images as well as tools depends on not only sufficient mental abstraction, but more practically , or some kind of hand-like appendage, such as a trunk, something that allows for a special kind of active engagement with environs. In fact, given their prehensile facility, elephants can be trained to make representational paintings — of flowers, balloons, and elephants, mainly — just as they can be trained to perform many other sophisticated tricks. (Given their intense boredom in captivity, where almost activity can be appealing, it is not only a crowd-pleaser but seemingly fun for the elephants, whose work is then sold to fund their care and other conservation efforts, otherwise known as win-win-win.) Some elephants, however, make art of their own accord — mostly, as it appears, abstract, but some bordering on representational. Ruby, who spent almost her entire life at the Phoenix Zoo and was given paints for recreation after her keepers observed her always doodling in the sand, would commonly select paint colors that matched events around her, such as visitors’ shirts outside her cage or the red, yellow, and white of a fire truck that had pulled up with flashing lights earlier in the day.

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NACD advocates for more than 3,000 conservation districts across the United States, ensuring federal policy and funding levels reflect the mission and goals of our district members. In a few words, NACD is the voice of conservation.