A literary analysis of the collar by george herbert
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What does the poem 'The Collar' mean by George Herbert?
Metaphysical poetry is the name given to the poetry written by a loose collection of seventeenth-century poets, including John Donne foremost as well as George Herbert, Henry Vaughan, Abraham Cowley, Richard Crashaw, and John Cleveland. Metaphysical poetry is characterized by intellectual argument expressed in sensual imagery and a colloquial, or everyday, style of writing. (Writing that was colloquial in the seventeenth-century, of course, would not seem so in the twenty-first.) Sentence structure is often complex, and metaphors bring together images that might not at first seem appropriate, as Herbert does in "Virtue" when he speaks of the spring as "a box" in which "sweets compacted lie."
"Virtue" is one of the poems in a collection of verse called (1633), which George Herbert wrote during the last three years of his life. By then, he had taken holy orders in the Anglican Church and become rector in Bemerton, England, near Salisbury. Herbert's poems are lyrical and harmonious, reflecting the gentle voice of a country parson spreading the Christian message. He appreciates the beauty of creation not only for its own sake but also because he sees it as a mirror of the goodness of the Creator. Yet, despite Herbert's sense of the world's loveliness, his poems often reflect the transience of that beauty and the folly of investing it with any real value. In "Virtue," he presents a vision of an eternal world beyond the one available to sense perception.