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Hoodoo does not actively exclude belief, participation, or practice by WhiteProtestant Americans, White Neo-Pagan Americans, JewishAmericans, White Catholic Americans, Hispanic Catholic Americans, Central Americans,Asian Americans, Asians, Europeans, Africans,Afro-Caribbeans, Australian Aborigines, South Americans, or Native Americans, because it has no centrally hierarchical authoritystructure to do so.
African-American Art - Academic Writing
In fact today in parts of coastal South America and , Blacks descended from pre-Columbian Africans are still struggling to maintainthe lands they have had long before the arrival of the Europeans.
Did the election of Barack Obama as President of the United States signal real progress in bridging America's long-standing racial divide? In this profound study of systemic racism, Molefi Kete Asante, a leading scholar of African American history and culture, discusses the greatest source of frustration and anger among African Americans in recent decades: what he calls "the wall of ignorance" that attempts to hide the long history of racial injustice from public consciousness.
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In this paper, I will discuss the various ways two very influential artists, Laurie Cooper and Lorna Simpson, use imagery to uncover and forefront the various forms of oppression that affect their lives as African American women.
Intimate partner violence against African American …
Older outsider-scholarly-academic accounts of hoodoo tended toemphasize West African linkages, in part because that areaof Africa was heavily traversed during the 19th century byEnglish speaking Christian missionaries who published booksmentioning "native customs" -- which American slave-ownerssaw as similar to practices they observed among theirslaves.
On the Horizon in African American Art: Artists to …
While numerous other cultures also utilize personal magicalbags -- the so-called "fetish" bags of Native Americans and thered woolen bags used by "witches" in Tuscany -- the is essentially African; itsclosest cultural relatives are the Afro-Caribbean wanga or oangabag used in Obeah magic and the pacquet used in Voodoo.
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For ten decades after the Emancipation Proclamation, African-Americans in Southern states still live a rigid unequal world of deprive right of citizenship, segregation and various forms of oppression, including race-inspired violence.
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However, these few boatloads of refugees from Haiti did not constitute the majority of African American slaves in New Orleans, many of whom had been transported directly from Africa, via Spanish-speaking Cuba, or were "sold down the river" from farther up the Mississippi Delta.